DRS Manifesto

CMALT Core Principles

DRS Manifesto

The team from Zero Waste Europe got in touch about developing a visual aesthetic for a manifesto they had created. Manifesto you say? Yum. But what is a DRS? I’m glad you asked. As I soon learned, DRS stands for Deposit Return Scheme. It involves a product manufacturer charging slightly extra (the deposit) when using a container and then refunding this extra cost on the container’s return. This way, plastic containers can be collected by the manufacturer and reused or at least recycled.

In terms of visual ideas it was obvious that this manifesto would need to educate the reader. So that meant getting visually underneath the explanation of the DRS. I started thinking about what a DRS brand might look like, and by playing around with the letters, I noticed that the R and S could interact in a way that might suggest actions of deposit and return. 

The EU flag is circular in appearance, and therefore lends itself well to saying something about a circular economy. 

I also noticed quite by accident when putting all the partner logos together that they could form the shape of something: a container – a great metaphor for the manifesto itself. We’re all in this together.

After the first draft, the team suggested adding more of a human element to the aesthetic. This is where the idea for the many hands lifting up the containers came from. Suddenly there was a different feel to the manifesto – it somehow became active! The power of the human body to subconsciously communicate.

Overall, the team felt that we’d struck a good balance between professional and punchy, and it’s true – the hand-drawn elements feel friendly and genuine, whilst the typeset narrative feels authoritative. Most importantly, it carries a simple design, and it’s this playful simplicity that disarms the intended audience and allows them to engage with the manifesto and it’s message. 

You can read more about the DRS Manifesto here.

UNEA4

Creative Commons Certificates

UNEA4 – #BreakFreeFromPlastic

There’s something about working with activists. They speak from the heart. I find them very easy to listen to – to tune in to. They’re often great storytellers too – and stories describe pictures…

The brief was to create visual assets for United Nations Environment Agency summit in Nairobi, Kenya. 

Dialogue

Our virtual session spanned the globe.  Jane was already in Nairobi at the pre-summit, and Jed was organising from the Philippines, and sketched and scribbled in London.

The number of ideas betrays the richness of the conversation – and we had no trouble creating collaborative ideas to that we felt people could align to.

Distill

Humour disarms, even if it’s sometimes pretty dark. I often listen out for those bits of insight that sit behind the humour as they’re often pictorial. Here’s some of the final artwork we created:

Creative Commons

Creative Commons Certificates

Creative Commons Certificates

Following a thinkathon with some colleagues from We Are Open Co-op, Creative Commons asked if I’d help them with the aesthetic of their certification programme, which was then in it’s infancy.

Dialogue

We arranged a session online with Creative Commons staff, and went sniffing for anything that looked like an idea. From abstract shape, to physical metaphor, we captured everything – believing that when played back to the stakeholders, they would recognise it when they saw it.

Here are a handful of the ideas:

We settled on the orbit idea as the best fit for the visual identity. The CC licencing programme consists of core modules, with differing combinations of optional modules required for each area of expertise – working in Government, working in Education, working in a Library.

Distill

The next step is to create a number of variations on the core idea. Here is some of the final artwork:

Make it move!

This was definately one I couldn’t leave alone. Those balls needed an orbit! In truth, I created a basic animation in order to create the 2D version of the logo, so taking it further using Adobe After Effects and making an animated gif wasn’t too much trouble.

 

CC Certificates Animation

API Evangelist

CMALT Core Principles

API Evangelist

The thing I love about this sort of work, is that there is so much to be learned from other people. Kin Lane (aka API Evangelist) knows what he’s talking about when it comes to APIs (Application Programming Interfaces). Not just how they work, or how to build them, but how they’ve evolved and the impact they can have.

Kin asked if I would help evolve the visual identity for API Evangelist.

Dialogue

We arranged a remote video session (Kin was in Los Angeles, whilst I’m based in London) and to make sure that I caught as much of what Kin was saying as possible, I recorded our video conversation for good measure. That way, I can go back through the conversation and let it dribble over my creative brain during the sketching phase of the process. I didn’t want our ideas to be restricted by my lack of API knowledge, and being a former software engineer, I’m very interested in this domain too…

Here are a few sketches the session:

 

Artwork

Finding a visual identity is not easy. Like a new pair of shoes, how you see them changes as they become part of you. There’s much “stepping into it” required. Also, we’re trying to create something bigger than the person behind it, as its purpose will be to provide a stage not just to speak from, but to build other scenes on top of.

…and finally

Humour is often a great indicator of something worth creating. So when a thought tickles me, I try to capture it before it escapes. The artwork below came out of the conversation with Kin, and as a mash-up also allowed be to explore and understand some of Roy Lichtenstein’s work. This artwork ended up as a sticker and can be found on the back of my laptop. 🙂

Making an impact on the world. I enjoy seeing my ideas fluttering around, adding color, adding motion, and presence around the API community. At the moment where I couldn’t imagine any image to represent API Evangelist, Bryan was able to extract a single image that I think couldn’t better represent what it is I do. #VisualThinkery
Kin Lane

API Evangelist, Excerpt taken from this blogpost.

CMALT Principles

CMALT Core Principles

CMALT Principles – a visual language

I always love working with ALT members. Openness is baked into whatever they do, so if I’m trying to capture ideas from dialogue, there is no shortage of members to get involved.

ALT asked if I would help them create a visual language for their CMALT programme, starting with the CMALT core principles.

Dialogue

ALT helpfully organised two remote dialogue sessions (using Google Hangouts), in order to involve a range of people in the collaborative process. Taking each of principles in turn, we discussed members’ understanding of each principle’s meaning and captured it using a live drawing method.

Here are the outputs of both sessions:

As you might spot, different voices produce a different conversation. Principles tend to have a degree of constructive ambiguity, resulting in multiple aligned but varied personal meanings. Of course, the more angles you can view an abstract principle from, the more chance of finding a visual metaphor that might fit.

Distill

The next step is to take those rough ideas and create a number of distilled ideas. This process culminated in the following three routes:

 

 

Artwork

The rough sketches allow us to see which of the ideas resonate, and how we can take them further.  In the end, we settled on a mash-up of two of the routes. Here’s the final artwork:

Using a visual language to articulate the core principles of our professional accreditation scheme has had real impact: candidates are now much clearer about what the principles are, more advocates have been able to use the artwork to promote the scheme and there is a stronger visual and strategic connections between this and the overall vision of the Association.

Maren Deepwell

CEO, ALT

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