Open University – Open Degree Programme

OU Degree Programme

Open University Degree Programme

I have to confess, I didn’t know much about the Open Degree Programme from the Open University, until Martin Weller asked if we could help capture the visual essence of it to help get others up to speed. 

At its inception, 50 years ago, the Open University in the UK only offered an open programme. Think of the broadest collection of modules that could be put together to form a degree course. Think of each person, charting their own course. Of course, this appeals to me (Bryan) greatly – following the path of greatest interests, rather than my own academic journey which seemed much more like the path of least resistance…

 

OU Open Degree - Path of greatest interest

 

As usual, we had an open facilitated conversation lasting about 90mins with the team, which was recorded so as to go back through the conversation to hunt for visual clues, chiefly metaphors and humour.

Brave

Undertaking a degree programme requires bravery, but being able to follow your interests requires even more.

 

OU Open Degree - Brave Learners

Paths of Greatest Interest

During our conversation, one of the team mentioned the “tree of possibilities” when considering all of the possible paths through an Open degree course.

OU Open Degree - Path of greatest interest - tree

The Rebel Degree

Another phrase that was used in our conversation to describe the people who favoured a more flexible degree structure was the “Rebel”…   

OU Open Degree - Rebel Degree

And Finally

It’s always helpful to listen out for an off-the-cuff comment that resonates with the others on the video call…

OU Open Degree - The clue is in the title

GO-GN

GO-GN

I love a wide brief. Getting people together, and using dialogue to see what we can be unearthed. GO-GN is a postgraduate research programme, connecting and furthering those involved in researching Open Education. They asked if I could help with a brand refresh, and create a set of visual assets along the way.

In order to capture all the voices, we took the approach of facilitating two conversations: one for participants and a second for the GO-GN team.

GO-GN Thinkery Conversation
We had two really rich conversations. I live draw while the conversation is taking place, by using a document camera, but also record the conversations so I can go back through them later and harvest and clues I can tune into. 

Ideas

A rich conversation also leads to many ideas. My aim is always to capture as many of them as quick sketches.

GO-GN suitcase sketch

Creating a Visual Language

The trouble is, creating a fresh brand for an organisation is tricky. In some ways it’s like buying a bold new coat. Liking it isn’t enough. You’ve actually got to wear it. What are you as an organisation trying to say? To whom are you trying to say it? If you find an aesthetic that fits well enough, it can be used as a visual language, to communicate a feel which is sub-consciously absorbed. 

One of the prompts in our discussion used a poster-making technique to unearth ideas from the participants on the call. An idea emerged relating to “the golden age of travel”, which led to us nailing down a bold visual language. It’s quirky yet intentional. It has momentum built in.

A quick shout out to the Fabulous Remixer Machine – for providing the necessary inverted earth projections too!  

Listening with your eyes open

Video conversations underpin the Visual Thinkery 10 ideas process. By seeing someone as they talk, it’s possible to hear a richer voice. One of the participants in the call, Caroline Kuhn, used this gesture while speaking of the care and respect that exists in the GO-GN network. And it had to be drawn…

DRS Manifesto

CMALT Core Principles

DRS Manifesto

The team from Zero Waste Europe got in touch about developing a visual aesthetic for a manifesto they had created. Manifesto you say? Yum. But what is a DRS? I’m glad you asked. As I soon learned, DRS stands for Deposit Return Scheme. It involves a product manufacturer charging slightly extra (the deposit) when using a container and then refunding this extra cost on the container’s return. This way, plastic containers can be collected by the manufacturer and reused or at least recycled.

In terms of visual ideas it was obvious that this manifesto would need to educate the reader. So that meant getting visually underneath the explanation of the DRS. I started thinking about what a DRS brand might look like, and by playing around with the letters, I noticed that the R and S could interact in a way that might suggest actions of deposit and return. 

The EU flag is circular in appearance, and therefore lends itself well to saying something about a circular economy. 

I also noticed quite by accident when putting all the partner logos together that they could form the shape of something: a container – a great metaphor for the manifesto itself. We’re all in this together.

After the first draft, the team suggested adding more of a human element to the aesthetic. This is where the idea for the many hands lifting up the containers came from. Suddenly there was a different feel to the manifesto – it somehow became active! The power of the human body to subconsciously communicate.

Overall, the team felt that we’d struck a good balance between professional and punchy, and it’s true – the hand-drawn elements feel friendly and genuine, whilst the typeset narrative feels authoritative. Most importantly, it carries a simple design, and it’s this playful simplicity that disarms the intended audience and allows them to engage with the manifesto and it’s message. 

You can read more about the DRS Manifesto here.

UNEA4

Creative Commons Certificates

UNEA4 – #BreakFreeFromPlastic

There’s something about working with activists. They speak from the heart. I find them very easy to listen to – to tune in to. They’re often great storytellers too – and stories describe pictures…

The brief was to create visual assets for United Nations Environment Agency summit in Nairobi, Kenya. 

Dialogue

Our virtual session spanned the globe.  Jane was already in Nairobi at the pre-summit, and Jed was organising from the Philippines, and sketched and scribbled in London.

The number of ideas betrays the richness of the conversation – and we had no trouble creating collaborative ideas to that we felt people could align to.

Distill

Humour disarms, even if it’s sometimes pretty dark. I often listen out for those bits of insight that sit behind the humour as they’re often pictorial. Here’s some of the final artwork we created:

Creative Commons

Creative Commons Certificates

Creative Commons Certificates

Following a thinkathon with some colleagues from We Are Open Co-op, Creative Commons asked if I’d help them with the aesthetic of their certification programme, which was then in it’s infancy.

Dialogue

We arranged a session online with Creative Commons staff, and went sniffing for anything that looked like an idea. From abstract shape, to physical metaphor, we captured everything – believing that when played back to the stakeholders, they would recognise it when they saw it.

Here are a handful of the ideas:

We settled on the orbit idea as the best fit for the visual identity. The CC licencing programme consists of core modules, with differing combinations of optional modules required for each area of expertise – working in Government, working in Education, working in a Library.

Distill

The next step is to create a number of variations on the core idea. Here is some of the final artwork:

Make it move!

This was definately one I couldn’t leave alone. Those balls needed an orbit! In truth, I created a basic animation in order to create the 2D version of the logo, so taking it further using Adobe After Effects and making an animated gif wasn’t too much trouble.

 

CC Certificates Animation

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